BALTIMORE — The musical theater program at Morgan State University is reviving the timeless melodies of Motown, and the production is currently embarking on a nationwide tour.
The performance, titled “Echoes of Motown,” explores a significant period in American history when rhythm converged with resistance, featuring the iconic music of artists like Marvin Gaye, Stevie Wonder, and the Temptations.
According to Dr. Tyrone Stanley, the show’s writer and director, the production aims to provide audiences with an escape while drawing parallels between the messages of that time and ongoing social struggles today.
“When you see the cast perform this music on stage, you would think they grew up in that era,” Stanley remarked.
Echoes of Motown brings legendary sounds to Morgan State and beyond
Echoes of Motown: Morgan State’s touring production hits the road
“The performers are not just celebrating the music that influenced their parents and grandparents; they deeply understand the messages behind it,” Stanley added.
He emphasized that the performance offers a compelling experience for both the artists on stage and the audience members in attendance.
“Stepping onto the stage allows me to momentarily leave behind everything that’s wrong in the world,” Stanley noted. “And when we engage in authentic escapism on stage, our audience is transported along with us.”
To bring this vibrant production to life, Stanley collaborated with internationally recognized choreographer Sayquon Keys, a Baltimore native and proud Morgan State alumnus.
“One of my lifelong goals has been to return home and make a meaningful contribution,” Keys shared.
Stanley believes that involving accomplished artists like Keys significantly transforms students’ perceptions of what they can achieve.
“As an artist, you must continue to share your gift, or you are not fulfilling your purpose. Your gift only becomes meaningful when it is shared with others,” Stanley expressed.
“Introducing such talented individuals into the students’ lives can fundamentally alter their aspirations and potential,” he continued.
Keys reflected on his past, stating that he often faced discouragement regarding his aspirations, which he chose to dismiss.
“Growing up, I frequently heard people say what I couldn’t do. I decided to ignore that. If you have a dream, go for it,” Keys asserted.
This determination has led Keys to perform on some of the world’s most renowned stages and to work on significant productions.
“I’ve choreographed for Coachella, contributed to ‘The Color Purple,’ and even appeared in ‘Coming to America,’ achieving things I once thought were impossible,” Keys recounted.
He humorously described himself as shy offstage, a claim that elicited laughter, but emphasized that once he is on stage, he feels empowered.
“On stage, I feel like I can be a superhero,” he proclaimed.
When asked about the scene that resonates most with audiences, Stanley answered without hesitation.
“Without a doubt, it’s the conclusion of act one, where I’ve incorporated a dance to Michael Jackson’s ‘They Don’t Care About Us,'” Stanley said.
He highlighted that watching Keys perform alongside the students during that segment is a particularly memorable experience.
“I truly got goosebumps when you came out at the end and showcased your talent with the students; it was remarkable,” he reminisced.
For Stanley, the collaboration with Keys embodies a philosophy that underpins the entire production.
“It’s essential that we approach this as a collective effort. If it’s all about the individual, the boat won’t stay afloat,” he stated.
The production, which originated on the Morgan State campus, is now poised to captivate audiences far beyond its initial reach as it continues its tour.
This story was reported on-air by a journalist and has been adapted for this platform with AI assistance. Our editorial team rigorously verifies all reporting across platforms to ensure fairness and accuracy.
